The combination of free jazz with the quest for artistic freedom is the off-handed focus of rambling and scruffy "The Monsters," the second feature by Brazilian filmmaking quartet Guto Parente, Luiz Pretti, Pedro Diogenes and Ricardo Pretti, Luiz's twin brother. The same, ultra-loose sensibility in the group's previous "Road to Ythaca" underlies this oddly titled pic, in which ......
好端端一个精英美少女,非天天去跪舔一个没把心思放在自己身上的老男人,给老男人妈洗脚,被问啥时候有孙子还一脸光辉。。。给老男人当工具引诱兄弟,伺候兄弟娃和爹,这是爱情吗?如果爱情就是这,女人真的太可怜了,恋爱脑的植入让女人沦为这个社会的工具和牺牲品,如果女人摘除了恋爱脑基因,没男人什么事了,go to hell men